FUNK
2016
Bitrate: 256 kbps
2016
Bitrate: 256 kbps
[Cd Quality]+
Total Time: 39 min
26 de abril de 2022
25 de abril de 2022
MC MELODODEE & COOKIN SOUL - Passport Pimpin
HIP HOP
2016
Bitrate: 256 kbps
[cd quality]+
Total Time: 33 min
GARY MOORE - Ballads & Blues (1982 - 1994)
BLUES
1994
Bitrate 256 kbps
[cd quality]+
Bitrate 256 kbps
[cd quality]+
Gary Moore nasceu em Belfast, capital da Irlanda do Norte. A vida de quem cresceu em meio às bombas do Ira e às brigas religiosas do pós-guerra refletia-se em seu som de guitarra: extremamente triste e sofrido, mas também visceral e técnico quando solicitado. Ele iniciou a trajetória profissional aos 16 anos de idade, tendo Eric Clapton, Peter Green e Jimi Hendrix como ídolos, e participando das gravações de um álbum da banda de folk Dr. Strangely Stranger. Pouco depois, Moore estava no Thin Lizzy (banda irlandesa), onde conheceu seu fiel comparsa, Mr. Phil Lynott. Apesar do fanatismo pelo blues, o jazz também fazia sua cabeça, tanto que foi o estilo melhor explorado em seu primeiro álbum-solo, Grinding Stone (1973), e em sua breve jornada com a segunda encarnação do Colosseum, batizada de Colosseum II. No Thin Lizzy, ele deu colaborou na gravação de alguns álbuns, mas gravar mesmo foi só no compacto Darling (1974) e no álbum Black Rose (1979). A carreira solo de Gary começou com o golpe evocativo único em 1979, ‘Parisienne Walkways’ que lançaram Gary, blues-encharcado conduzia a guitarra e vocal Phil Lynott. Chegou ao Reino Unido no Top 10 em abril daquele ano, e o álbum subseqüente, ‘Back On The Streets’ foi bem-recebido. Os anos 1970 e 1980 foi caracterizado pela procura inquieta de Gary para as melhores colocações musicais para o talento dele. Uma reunião com Phil Lynott produziu o poderoso ‘Out In The Fields’ (1985). Ele explorou as raízes Célticas dele no álbum ‘Wild Frontier’ (1987), mas o álbum em 1990 ‘Still Got The Blues’, aquele Gary chegou a uma veia musical rica dentro a qual a criatividade dele poderia fluir livremente. Em 1994, Gary trabalhou ao lado de Ginger Baker and Jack Bruce na banda BBM, antes de retomar a carreira de solo dele. Faleceu aos 58 anos de idade, enquanto dormia, na madrugada de 6 de fevereiro de 2011, durante suas férias na Espanha. [Fonte: lastfm]
Gary Moore was born in Belfast, capital of Northern Ireland. The lives of those who grew up amid the bombs Ira and religious fights postwar reflected in your guitar sound: extremely sad and painful, but also visceral and technical when prompted. He started his professional career at 16 years of age, with Eric Clapton, Peter Green and Jimi Hendrix as idols, and participating in the recording of a folk band album Dr. Strangely Stranger. Soon after, Moore was in Thin Lizzy (Irish band), where he met his loyal sidekick, Mr. Phil Lynott. Despite the fanaticism by blues, jazz also made his head, so that was the best style explored in her first solo album, Grinding Stone (1973), and in his brief journey with the second incarnation of the Colosseum, named Colosseum II. In Thin Lizzy, he gave collaborated in recording a few albums, but it was only recording the compact Darling (1974) and the album Black Rose (1979). The solo career of Gary started with the only evocative coup in 1979, 'Parisienne Walkways' that launched Gary, blues-drenched driving guitar and vocal Phil Lynott. We reached the UK Top 10 in April of that year, and the subsequent album, 'Back On The Streets' was well-received. The 1970s and 1980s was characterized by demand restless Gary for best musical settings for his talent. A meeting with Phil Lynott produced the powerful 'Out In The Fields' (1985). He explored his Celtic roots on the album 'Wild Frontier' (1987), but the album in 1990 'Still Got The Blues', that Gary arrived at a rich musical vein within which his creativity could flow freely. In 1994, Gary worked alongside Ginger Baker and Jack Bruce in the band BBM, before resuming his solo career. He died at the age of 58, in his sleep in the early hours of February 6, 2011, while vacationing in Spain. [Source: lastfm]
Total Time: 71 min
GINNY REILLY - The Blues Of Bessie Smith
BLUES
2013
Bitrate: 256 kbps
[cd quality]+
24 de abril de 2022
GERALDO AZEVEDO - Hoje e Amanhã
MPB
[Brazilian Popular Music]
2000
Bitrate: 256 kbps
[cd quality]+
2000
Bitrate: 256 kbps
[cd quality]+
Iniciou sua trajetória musical quando, aos 18 anos, mudou-se para o Recife, a fim de estudar. Na capital pernambucana, juntou-se ao grupo folclórico Grupo Construção, do qual faziam parte Teca Calazans, cantora, Naná Vasconcelos, percussionista e Marcelo Melo e Toinho Alves, músicos do Quinteto Violado. Em 1967, mudou-se para o Rio de Janeiro, onde trabalhou com a cantora Eliana Pittman. Em seguida, juntou-se a Naná Vasconcelos, Nelson Ângelo e Franklin, formando o Quarteto Livre. O grupo acompanhou o cantor Geraldo Vandré em diversos shows, inclusive na emblemática "Caminhando". Devido a problemas políticos com a ditadura militar da época, o grupo se dissolveu. Em 1968, a cantora Eliana Pittman gravou a primeira composição de Geraldo Azevedo, "Aquela rosa". No incício dos anos 1970, formou dupla com o também pernambucano Alceu Valença. Ainda em 1970, a dupla participou do Festival Universitário da TV Tupi com as composições "78 rotações" e "Planetário". A boa performance da dupla chamou a atenção da gravadora Copacabana. Em 1972, lançou com Alceu Valença, seu primeiro LP. No mesmo ano, e ainda com o parceiro Alceu Valença, tomou parte do Festival Internacional da Canção, com a composição "Papagaio do futuro", que contou com a participação de Jackson do Pandeiro. Ainda com o parceiro Alceu e com Zé Ramalho, fez grande sucesso em fins dos anos 1970, com "Táxi lunar". Também no mesmo período fez grande sucesso com "Caravana", em parceria com Carlos Fernando e que fez parte da trilha sonora da novela "Gabriela", da TV Globo. Em seu trabalho faz um mistura entre as sofisticadas harmonias da Bossa Nova e a viva influência da música negra. É autor de composições de puro lirismo, como "Dia branco" e frevos embrasados, como "Tempo tempero" e "Pega fogo coração". Teve diversas músicas utilizadas em novelas e outros programas de televisão, entre os quais, "Juritis e borboletas", na novela "Saramandaia"e "Arraial dos tucanos", do seriado "Sítio do pica-pau amarelo", ambos na TV Globo. Em 1979 e 1980, participou do projeto coletivo de gravação de frevos, "Asas da América", volumes I e II. Em 1984, participou com os músicos Elomar, Vital Farias e Xangai, do Show "Cantoria", no Teatro Castro Alves, em Salvador, do qual resultou o disco "Cantoria I", gravado ao vivo, nos dias 13, 14 e 15 de agosto daquele ano. Nesse disco, interpretou "Novena", de sua autoria e M. Vinícius e "Semente de Adão", dele e Carlos Fernando, cantada em dueto com Xangai. Participou, ainda, como violonista em diversas faixas do disco. Em 1988, foi lançado o disco "Cantoria II". Em 1996, participou no Canecão, no Rio de Janeiro, do show "O grande encontro", ao lado de Alceu Valença, Elba Ramalho e Zé Ramalho. Do show resultou o CD "O grande encontro", onde interpretou "O ciúme", de Caetano Veloso, "Dia branco", de sua autoria e Renato Rocha, "Veja (Margarida)", de Vital Farias e "Chorando e cantando", dele e Fausto Nilo. Em 1997, gravou "O grande encontro II", com Elba e Zé Ramalho, no qual tocou viola e violão, além de interpretar canções como "O princípio do prazer", de sua autoria e "Canta coração", parceria com Carlos Fernando. Em 2006, prestes a completar 43 anos de carreira, realizou show na Lona Cultural Gilberto Gil, em Realengo, no Rio de Janeiro, repassando diversos clássicos de sua trajetória, como "Dia branco, e Táxi Lunar", entre outros. Nessa ocasião, a gravadora Biscoito Fino lançou a coletânea "100 anos de frevo - É de perder o sapato", uma coletânea com dois CDs, da qual participaram vários artistas consagrados da MPB, como Gilberto Gil, Caetano Veloso, Alceu Valença, Maria Bethânia, Elba Ramalho, Geraldo Azevedo, Silvério Pessoa, Geraldo Azevedo e Chico Buarque, entre outros. Em 2011, apresentou-se no evento "São João carioca", uma festa junina realizada pela prefeitura da cidade do Rio de Janeiro. Do show, participaram artistas como Gilberto Gil, Caetano Veloso, Elba Ramalho, Alcione e Dominguinhos. Ainda em 2011, foi indicado ao prêmio Grammy Latino, na categoria “Melhor Álbum de Raízes Brasileiras”, com seu disco "Salve São Francisco". [Fonte:enciclopediampb]
He began his musical career when, at age 18, moved to Recife, in order to study. In Recife, joined the folk group Construction Group, which consisted of Teca Calazans, singer, Nana Vasconcelos, and percussionist Marcelo Melo and Toinho Alves, musicians Quintet. In 1967, he moved to Rio de Janeiro, where he worked with singer Eliana Pittman. Then he joined Nana Vasconcelos, Nelson Angelo and Franklin, forming the Free Quartet. The group followed the singer Geraldo Vandré in several shows, including the iconic "Walking". Due to political problems with the military dictatorship of the time, the group dissolved. In 1968, the singer Eliana Pittman recorded the first composition Geraldo Azevedo, "That rose". In incício 1970s, teamed with the Pernambuco also Alcaeus Valencia. Also in 1970, the duo participated in the University Festival of Tupi TV with the compositions "78s" and "Planetarium". The good performance of the duo caught the attention of label Copacabana. In 1972, launched with Alcaeus Valencia, their first LP. In the same year, and with the partner Alcaeus Valencia, took part in the International Song Festival, with the composition "Kite future", which was attended Jackson do Pandeiro. Even with the partner Alcaeus and Zé Ramalho, made great success in the late 1970s, with "lunar Taxi". Also in the same period was a big hit with "Caravan", in partnership with Carlos Fernando and that was part of the soundtrack of the novel "Gabriela," Globo TV. In their work makes a mix between the sophisticated harmonies of Bossa Nova and the living influence of black music. He is the author of compositions of pure lyricism, as "White Day" and embrasados frevos as "spice Time" and "Take heart fire". Had several songs used in soaps and other television programs, including, "Juritis and butterflies", the novel "Saramandaia" and "Camp of toucans," the series "Yellow Woodpecker Ranch", both on TV Globo. In 1979 and 1980, participated in the collective project of recording frevos, "Wings of America", Volumes I and II. In 1984, he participated with Elomar, Vital Farias and Shanghai Show "Cantoria" musicians in the Castro Alves Theater in Salvador, which resulted in the "I Cantoria" disc, recorded live on the 13th, 14th and 15th August of that year. In this disc, played "Novena", he authored and M. Vinicius and "seed of Adam", Carlos Fernando him and sung in duet with Shanghai. Also participated as a guitarist on several tracks on the disc. In 1988, the "Cantoria II" album was released. In 1996, he participated in Canecão, in Rio de Janeiro, the show "The large gathering," beside Alcaeus Valença, Elba Ramalho and Zé Ramalho to. The show resulted in the CD "The big meeting" where he played "Jealousy" by Caetano Veloso, "White Day", which he authored and Renato Rocha, "See (Daisy)" by Vital Farias and "Crying and singing" his and Fausto Nilo. In 1997, he recorded "The great encounter II" with Elba Ramalho and Zé, in which he played viola and guitar, and interpret songs like "The Pleasure Principle" of his own and 'Canta heart "partnership with Carlos Fernando. In 2006, about to turn 43 years of career show held in the Cultural Canvas Gilberto Gil, in Realengo, in Rio de Janeiro, passing several classics of his career, as "White Day and Taxi Lunar," among others. On this occasion the Cracker label released the compilation "100 years of frevo - is losing the shoe," a collection with two CDs, attended by several renowned artists of the MPB, as Gilberto Gil, Caetano Veloso, Alcaeus Valencia, Maria Bethania , Elba Ramalho, Geraldo Azevedo, Silverio Pessoa, Geraldo Azevedo and Chico Buarque, among others. In 2011, he performed at the "Rio São João", a June party held by the city of Rio de Janeiro. The show, participated artists like Gilberto Gil, Caetano Veloso, Elba Ramalho, Alcyone and Dominguinhos. Also in 2011, he was nominated for a Latin Grammy award in the category "Best Brazilian Roots Album," with its "Save San Francisco" album. [Source: enciclopediampb]
He began his musical career when, at age 18, moved to Recife, in order to study. In Recife, joined the folk group Construction Group, which consisted of Teca Calazans, singer, Nana Vasconcelos, and percussionist Marcelo Melo and Toinho Alves, musicians Quintet. In 1967, he moved to Rio de Janeiro, where he worked with singer Eliana Pittman. Then he joined Nana Vasconcelos, Nelson Angelo and Franklin, forming the Free Quartet. The group followed the singer Geraldo Vandré in several shows, including the iconic "Walking". Due to political problems with the military dictatorship of the time, the group dissolved. In 1968, the singer Eliana Pittman recorded the first composition Geraldo Azevedo, "That rose". In incício 1970s, teamed with the Pernambuco also Alcaeus Valencia. Also in 1970, the duo participated in the University Festival of Tupi TV with the compositions "78s" and "Planetarium". The good performance of the duo caught the attention of label Copacabana. In 1972, launched with Alcaeus Valencia, their first LP. In the same year, and with the partner Alcaeus Valencia, took part in the International Song Festival, with the composition "Kite future", which was attended Jackson do Pandeiro. Even with the partner Alcaeus and Zé Ramalho, made great success in the late 1970s, with "lunar Taxi". Also in the same period was a big hit with "Caravan", in partnership with Carlos Fernando and that was part of the soundtrack of the novel "Gabriela," Globo TV. In their work makes a mix between the sophisticated harmonies of Bossa Nova and the living influence of black music. He is the author of compositions of pure lyricism, as "White Day" and embrasados frevos as "spice Time" and "Take heart fire". Had several songs used in soaps and other television programs, including, "Juritis and butterflies", the novel "Saramandaia" and "Camp of toucans," the series "Yellow Woodpecker Ranch", both on TV Globo. In 1979 and 1980, participated in the collective project of recording frevos, "Wings of America", Volumes I and II. In 1984, he participated with Elomar, Vital Farias and Shanghai Show "Cantoria" musicians in the Castro Alves Theater in Salvador, which resulted in the "I Cantoria" disc, recorded live on the 13th, 14th and 15th August of that year. In this disc, played "Novena", he authored and M. Vinicius and "seed of Adam", Carlos Fernando him and sung in duet with Shanghai. Also participated as a guitarist on several tracks on the disc. In 1988, the "Cantoria II" album was released. In 1996, he participated in Canecão, in Rio de Janeiro, the show "The large gathering," beside Alcaeus Valença, Elba Ramalho and Zé Ramalho to. The show resulted in the CD "The big meeting" where he played "Jealousy" by Caetano Veloso, "White Day", which he authored and Renato Rocha, "See (Daisy)" by Vital Farias and "Crying and singing" his and Fausto Nilo. In 1997, he recorded "The great encounter II" with Elba Ramalho and Zé, in which he played viola and guitar, and interpret songs like "The Pleasure Principle" of his own and 'Canta heart "partnership with Carlos Fernando. In 2006, about to turn 43 years of career show held in the Cultural Canvas Gilberto Gil, in Realengo, in Rio de Janeiro, passing several classics of his career, as "White Day and Taxi Lunar," among others. On this occasion the Cracker label released the compilation "100 years of frevo - is losing the shoe," a collection with two CDs, attended by several renowned artists of the MPB, as Gilberto Gil, Caetano Veloso, Alcaeus Valencia, Maria Bethania , Elba Ramalho, Geraldo Azevedo, Silverio Pessoa, Geraldo Azevedo and Chico Buarque, among others. In 2011, he performed at the "Rio São João", a June party held by the city of Rio de Janeiro. The show, participated artists like Gilberto Gil, Caetano Veloso, Elba Ramalho, Alcyone and Dominguinhos. Also in 2011, he was nominated for a Latin Grammy award in the category "Best Brazilian Roots Album," with its "Save San Francisco" album. [Source: enciclopediampb]
Total Time: 45 min
GREEN DAY - Insomniac
PUNK ROCK
1995
Bitrate 256 kbps
[cd quality]+
[cd quality]+
Green Day é uma banda de Punk Rock dos Estados Unidos, formada em 1987 em East Bay, Califórnia. Amigos de infância, Billie Joe Armstrong (vocalista / guitarrista) e Mike Dirnt (baixo / vocal) formaram sua primeira banda, “Sweet Children”, em Rodeo, Califórnia, quando tinham 10 anos de idade. Eles inventaram uma forma de fazer música que influenciam até hoje uma legião de bandas jovens. Se conheceram quando estudavam, num colégio chamado Pinolle Valey High School. Em 1988, o baterista John Kiffmeyer, mais conhecido como Al Sobrante, entra para a banda. Pouco depois, a Sweet Children assina contrato com o selo independente Lookout Records, da cidade de Berkely, Califórnia. Antes de gravar seu primeiro EP, 1000 Hours (1989), eles precisaram mudar o nome. O dono do selo, Larry Livermore, achou que poderia haver confusão de nomes com outra banda da cena de Bay Area, chamada Sweet Baby. Dizem que o nome Green Day (dia verde) veio por conta do grande consumo de maconha dos seus integrantes. Além disso, o Al Sobrante escreveu ‘Green Day’ em um moletom que costumava usar. Em poucos dias, o nome havia sido decorado pelos poucos fãs do trio. No primeiro momento, Livermore não gostou do novo nome, porém acatou a decisão. Em abril de 1990, a banda lança seu primeiro disco completo oficial: 39/Smooth. Com 10 músicas, esse é único full lenght com Al Sobrante na bateria. O responsável pela arte da capa foi Jesse Michaels, vocalista do Operation Ivy, uma das bandas que influenciaram o Green Day no inicio da carreira... [Créditos: lastfm]
Green Day is a band of Punk Rock in the United States, formed in 1987 in East Bay, California. Childhood friends Billie Joe Armstrong (vocals / guitar) and Mike Dirnt (bass / vocals) formed their first band, "Sweet Children" in Rodeo, California when they were 10 years old. They invented a way to make music that influence to this day a legion of young bands. They met while studying at a college called Pinolle Valey High School. In 1988, drummer John Kiffmeyer, better known as Al Sobrante, joins the band. Soon after, Sweet Children signs contract with independent label Lookout Records, the city of Berkeley, California. Before recording their first EP, 1000 Hours (1989), they had to change the name. The label owner, Larry Livermore, found that there could be confusion with another band names of the scene of the Bay Area, called Sweet Baby. They say the name Green Day (Green Day) came because of the large consumption of marijuana of its members. In addition, Al Sobrante wrote 'Green Day' in a sweatshirt that used to use. Within days, the name had been decorated by the few fans of the trio. At first, Livermore did not like the new name, but accepted the decision. In April 1990, the band released their first official full disk: 39 / Smooth. With 10 songs, this is only full length with Al Sobrante on drums. The person responsible for the cover art was Jesse Michaels, lead singer of Operation Ivy, one of the bands that influenced Green Day at the beginning of his career ... [Credits: lastfm]
Total Time: 33min
Assinar:
Postagens (Atom)