POP MUSIC
2001
Bitrate: 256 kbps
[cd quality]+
Total Time: 52 min
21 de setembro de 2024
20 de setembro de 2024
BIG YOUTH - Dread Locks Dread
REGGAE MUSIC
1983
Bitrate 320kbps
[cd quality]+
Bitrate 320kbps
[cd quality]+
Big Youth, nome artístico de Manley Augustus Buchanan , é um deejay de reggae, notório pelos seus trabalho na década de 1970. Antes de entrar para carreira musical, foi mecânico especializado em veículo diesel no Kingston's Sheraton Hotel, quando desenvolveu seus primeiros hits enquanto trabalhava, e foi cunhado o apelido de "Big Youth" por seus companheiros de trabalho. Início sua performance com danças, inicialmente influenciado por U-Roy, onde teve contato com sistema de som em 1970, como DJ residente, atraiu atenção de produtores musicais de Kingston . Suas primeiras canções foram com parcerias de Jimmy Radway ("The Best Big Youth"), Lee Perry ("Moving Version") e Phil Pratt ("Tell It Black"), não obtendo independencia artística e financeira. [Fonte: wikipedia]
Big Youth, stage name Manley Augustus Buchanan, is a deejay reggae, notorious for his work in the 1970s. Prior to joining musical career, was mechanic specializing in diesel vehicle in Kingston's Sheraton Hotel, when he developed his early hits while working , and was coined the nickname "Big Youth" by his colleagues. Beginning his performance with dances, initially influenced by U-Roy, where he had contact with the sound system in 1970 as resident DJ, attracted the attention of music producers from Kingston. His first songs were partnerships with Jimmy Radway ("The Best Big Youth"), Lee Perry ("Moving Version") and Phil Pratt ("Tell It Black"), not getting artistic and financial independence. [Source: wikipedia]
Big Youth, stage name Manley Augustus Buchanan, is a deejay reggae, notorious for his work in the 1970s. Prior to joining musical career, was mechanic specializing in diesel vehicle in Kingston's Sheraton Hotel, when he developed his early hits while working , and was coined the nickname "Big Youth" by his colleagues. Beginning his performance with dances, initially influenced by U-Roy, where he had contact with the sound system in 1970 as resident DJ, attracted the attention of music producers from Kingston. His first songs were partnerships with Jimmy Radway ("The Best Big Youth"), Lee Perry ("Moving Version") and Phil Pratt ("Tell It Black"), not getting artistic and financial independence. [Source: wikipedia]
Total Time: 34 min
BIG MEAN SOUND MACHINE - Runnin' for the Ghost
FUNK MUSIC
2017
Bitrate: 320 kbps
Bitrate: 320 kbps
[Cd Quality]+
Total Time: 44 min
19 de setembro de 2024
BIG ALLANBIK - Batuque y Blues
BLUES
1998
Bitrate 320 kbps
[cd quality]+
Bitrate 320 kbps
[cd quality]+
Considerados como um dos maiores grupos de blues do país, o Big Allanbik foi formado em 1992 no Rio de Janeiro. A formação contava com: Ricardo Werther, apontado pelo público e crítica como o melhor vocalista brasileiro do gênero; Alan Ghreen, pianista que já gravou com B.B.King; Big Gilson, guitarrista contratado como “endorser” das Guitarras Gibson e amplificadores Fender; UgoPerrotta, baixista e Beto Werther, baterista. O primeiro álbum da banda, “Blues Special Reserve”, foi masterizado e prensado nos EUA e lançado em 1993. “Black Coffee”, o segundo CD, teve seu show de lançamento no festival Nescafé and Blues no Palace, em São Paulo, no ano de 1995. Na época se apresentaram juntamente com grandes nomes do blues como Robert Cray, Lonnie Brooks, Otis Clay, Ronnie Earl, Robben Ford e Eric Burdon, tendo sido apontados pela crítica especializada como a melhor apresentação das bandas brasileiras deste evento. Em outubro de 96, o Big Allanbik embarcou para os EUA, se tornando a primeira banda de blues brasileira a fazer uma turnê neste país, se apresentarando com grande sucesso em casas de renome internacional como o Blue Note em Nova York e o Tobacco Road em Miami. Em Chicago, eles se apresentaram no Buddy Guy’s Legends com Duke Robillard e no Chicago Blue Note juntamente com Lonnie Brooks. Durante os shows, o Big retornava à Nova York para gravaro seu 3º CD, “Batuque y Blues”, no Avalon Studios. Este estúdio propiciou ao Big sonoridades e aparelhagens específicas dos anos 70, além de umHammond B-3 utilizado por Rick Wakeman e um piano onde Pinetop Perkins costumava gravar. Tudo isso somado ao talento do produtor Bob Stander, que trabalhou com vários artistas consagrados, como Roy Buchanan, Paul Simon, Pete Townshend e bandas como Kiss e The Platters. Com todo este material, o Big realizou uma mistura de ritmos e instrumentos brasileiros com o blues e classic rock à sua já conhecida sonoridade. “Batuque y Blues” foi lançado em 1998 contando com clássicos como “Gully Low Blues” de Louis Armstrong, “My Babe” e “Seventh Son” de Willie Dixon e “Jessica” dos Allman Brothers. Em 2000 lançaram o ao vivo “Destilado Ao Vivo”. Vale a pena conferir… [Fonte: lagrimapsicodelica]
Considered one of the greatest groups of the country blues, Big Allanbik was formed in 1992 in Rio de Janeiro. The training had: Ricardo Werther, appointed by the public and critics as the best Brazilian singer of the genre; Alan Ghreen, pianist who has recorded with BB King; Big Gilson, guitarist hired as "endorser" of Gibson guitars and Fender amps; UgoPerrotta, Beto Werther bassist and drummer. The band's first album, "Blues Special Reserve", was mastered and pressed and released in the U.S. in 1993. "Black Coffee", the second CD had its release show at the Palace Nescafe and Blues festival in Sao Paulo, year 1995. At the time presented along with blues greats like Robert Cray, Lonnie Brooks, Otis Clay, Ronnie Earl, Robben Ford and Eric Burdon, having been singled out by critics as the best presentation of Brazilian bands for this event. On October 96, the Big Allanbik shipped to the U.S., becoming the first Brazilian blues band to do a tour in this country, if apresentarando in homes with great success internationally renowned as the Blue Note in New York and Tobacco Road in Miami . In Chicago, they performed at Buddy Guy's Legends in Chicago and Duke Robillard Blue Note along with Lonnie Brooks. During concerts, the Big returned to New York to gravaro their 3rd CD, "Batuque y Blues" at Avalon Studios. This studio has provided the specific apparatus and Big sounds of the 70s, and B-3 umHammond used by Rick Wakeman and a piano where Pinetop Perkins often record. All this added to the talent of producer Bob Stander, who worked with several famous artists such as Roy Buchanan, Paul Simon, Pete Townshend and bands like Kiss and The Platters. With all this material, the Big held a mixture of Brazilian rhythms and instruments with the blues and classic rock to his trademark sound. "Batuque y Blues" was released in 1998 relying on classics like "Gully Low Blues" by Louis Armstrong, "My Babe" and "Seventh Son" by Willie Dixon and "Jessica" the Allman Brothers. In 2000 released the live "Distillate Live". Worth checking out ... [Source: lagrimapsicodelica]
Considered one of the greatest groups of the country blues, Big Allanbik was formed in 1992 in Rio de Janeiro. The training had: Ricardo Werther, appointed by the public and critics as the best Brazilian singer of the genre; Alan Ghreen, pianist who has recorded with BB King; Big Gilson, guitarist hired as "endorser" of Gibson guitars and Fender amps; UgoPerrotta, Beto Werther bassist and drummer. The band's first album, "Blues Special Reserve", was mastered and pressed and released in the U.S. in 1993. "Black Coffee", the second CD had its release show at the Palace Nescafe and Blues festival in Sao Paulo, year 1995. At the time presented along with blues greats like Robert Cray, Lonnie Brooks, Otis Clay, Ronnie Earl, Robben Ford and Eric Burdon, having been singled out by critics as the best presentation of Brazilian bands for this event. On October 96, the Big Allanbik shipped to the U.S., becoming the first Brazilian blues band to do a tour in this country, if apresentarando in homes with great success internationally renowned as the Blue Note in New York and Tobacco Road in Miami . In Chicago, they performed at Buddy Guy's Legends in Chicago and Duke Robillard Blue Note along with Lonnie Brooks. During concerts, the Big returned to New York to gravaro their 3rd CD, "Batuque y Blues" at Avalon Studios. This studio has provided the specific apparatus and Big sounds of the 70s, and B-3 umHammond used by Rick Wakeman and a piano where Pinetop Perkins often record. All this added to the talent of producer Bob Stander, who worked with several famous artists such as Roy Buchanan, Paul Simon, Pete Townshend and bands like Kiss and The Platters. With all this material, the Big held a mixture of Brazilian rhythms and instruments with the blues and classic rock to his trademark sound. "Batuque y Blues" was released in 1998 relying on classics like "Gully Low Blues" by Louis Armstrong, "My Babe" and "Seventh Son" by Willie Dixon and "Jessica" the Allman Brothers. In 2000 released the live "Distillate Live". Worth checking out ... [Source: lagrimapsicodelica]
Total Time: 65 min
18 de setembro de 2024
PUTUMAYO - Greece [A Musical Odyssey]
WORLD MUSIC
2004
Bitrate: 320 kbps
Bitrate: 320 kbps
[Cd Quality]+
Total Time: 42 min
17 de setembro de 2024
MELISSA RUTH AND THE LIKELY STORIES - Riding Mercury
FOLK MUSIC
2014
Bitrate: 256 kbps
Bitrate: 256 kbps
[Cd Quality]+
Total Time: 44 min
AVAILABLE AT THE COUNTER - A World of Second Chances
POP PUNK
2017
Bitrate: 256 kbps
Bitrate: 256 kbps
[Cd Quality]+
Total Time: 40 min
FRANCOIS VAN COKE - Hierdie Is Die Lewe
ALTERNATIVE ROCK
2017
Bitrate: 256 kbps
Bitrate: 256 kbps
[Cd Quality]+
Total Time: 36 min
BEZERRA DA SILVA - Grandes Sucessos - Vol. 2 [Recomendado]
PAGODE RAIZ
1991
Bitrate 320 kbps
[cd quality]+
Bitrate 320 kbps
[cd quality]+
Foi de Pernambuco para o Rio de Janeiro aos 15 anos escondido em um navio, e lá ficou trabalhando na construção civil. Tocava percussão desde criança e logo entrou em um bloco carnavalesco, onde um dos componentes o levou para a Rádio Clube do Brasil, em 1950. A partir daí passou a atuar como compositor, instrumentista e cantor, gravando seu primeiro compacto e 1969 e o primeiro LP seis anos depois. Inicialmente gravou cocos sem sucesso. Mas a partir da série Partido Alto Nota 10 começou a encontrar seu público. O repertório de seus discos passou a ser abastecido por autores anônimos (alguns usando codinomes para preservar a clandestinidade) e Bezerra notabilizou-se por um estilo "sambandido", precursor mesmo do "gangsta rap" norte-americano. Antes do hip hop brasileiro, ele passou a transmitir do outro lado da trincheira da guerra civil não declarada: "Malandragem Dá um Tempo", "Seqüestraram Minha Sogra", "Defunto Cagüete", "Bicho Feroz", "Overdose de Cocada", "Malandro Não Vacila", "Meu Pirão Primeiro", "Lugar Macabro", "Piranha", "Pai Véio 171", "Candidato Caô Caô". Em 1995 gravou pela Sony "Moreira da Silva, Bezerra da Silva e Dicró: Os Três Malandros In Concert", uma paródia ao show dos três tenores, Pavarotti, Domingo e Carreras. O sambista virou livro em 1998, com "Bezerra da Silva - Produto do Morro", de Letícia Vianna. [Fonte: cliquemusic]
Was Pernambuco to Rio de Janeiro to 15 years hidden in a ship and there was working in construction. Played percussion since childhood and soon entered a carnival attraction, where one of the components led to the Radio Club of Brazil in 1950. Thereafter acted as composer, instrumentalist and singer, recording his first single and 1969 and the first LP six years later. Initially recorded coconuts without success. But from the series Party High Note 10 began to find its audience. The repertoire of his records began to be fueled by anonymous authors (some using codenames to preserve secrecy) and Bezerra was notable for "sambandido" style, the same precursor "gangsta rap" American. Before the Brazilian hip hop, he started to share the other side of the trench the undeclared civil war: "It gives a Malandragem Time", "They kidnapped my Mother in Law", "snitch Corpse", "Bicho Feroz", "Overdose of Cocada" "Trickster Not hesitates," "My First Mush", "Place Macabre", "Piranha", "Father Véio 171", "Candidate Dog". In 1995 recorded by Sony "Moreira da Silva Bezerra da Silva and Dicró: The Three Tricksters In Concert", a parody of the show Three Tenors, Pavarotti, Domingo and Carreras. The samba became a book in 1998 with "Bezerra da Silva - Product of the Hill ', the Leticia Vianna. [Source: ABM]
Was Pernambuco to Rio de Janeiro to 15 years hidden in a ship and there was working in construction. Played percussion since childhood and soon entered a carnival attraction, where one of the components led to the Radio Club of Brazil in 1950. Thereafter acted as composer, instrumentalist and singer, recording his first single and 1969 and the first LP six years later. Initially recorded coconuts without success. But from the series Party High Note 10 began to find its audience. The repertoire of his records began to be fueled by anonymous authors (some using codenames to preserve secrecy) and Bezerra was notable for "sambandido" style, the same precursor "gangsta rap" American. Before the Brazilian hip hop, he started to share the other side of the trench the undeclared civil war: "It gives a Malandragem Time", "They kidnapped my Mother in Law", "snitch Corpse", "Bicho Feroz", "Overdose of Cocada" "Trickster Not hesitates," "My First Mush", "Place Macabre", "Piranha", "Father Véio 171", "Candidate Dog". In 1995 recorded by Sony "Moreira da Silva Bezerra da Silva and Dicró: The Three Tricksters In Concert", a parody of the show Three Tenors, Pavarotti, Domingo and Carreras. The samba became a book in 1998 with "Bezerra da Silva - Product of the Hill ', the Leticia Vianna. [Source: ABM]
Total Time: 44 min
16 de setembro de 2024
15 de setembro de 2024
BELLE AND SEBASTIAN - Legal Man (EP)
INDIE ROCK
2000
Bitrate: 320 kbps
[cd quality]+
Bitrate: 320 kbps
[cd quality]+
Total Time: 9 min
THE GREEN REVOLUTION - As Far As Twenty Pesos Can Go
INDIE ROCK
2005
Bitrate: 256 kbps
Bitrate: 256 kbps
[Cd Quality]+
Total Time: 62 min
14 de setembro de 2024
BERMAN - Send Me to the End
INDIE / ALTERNATIVE
2006
Bitrate: 256 kbps
2006
Bitrate: 256 kbps
[Cd Quality]+
Total Time: 43 min
SURGICAL METH MACHINE - Surgical Meth Machine
METAL
2016
Bitrate: 256 kbps
Bitrate: 256 kbps
[Cd Quality]+
Total Time: 40 min
Assinar:
Postagens (Atom)