BLUES ROCK
2012
Bitrate: 256 kps
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Bitrate: 256 kps
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Total Time: 49 min
21 de agosto de 2021
MELISSA RUTH & THE LIKELY STORIES - Riding Mercury
FOLK
2014
Bitrate: 256 kbps
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Total Time: 44 min
ZEZÉ DI CAMARGO & LUCIANO - Teorias de Raul
SERTANEJO
2014
Bitrate: 256 kbps
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Bitrate: 256 kbps
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Total Time: 59 min
JOÃO GILBERTO - João Voz e Violão [Recomendado]
BOSSA NOVA
1999
Bitrate: 256 kbps
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Total Time: 30 min
JIMMIE'S CHICKEN SHACK - Bring Your Own Stereo
ALTERNATIVE
Bitrate: 256 kbps
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Total Time: 46 min
MESTRE SALUSTIANO - Sonho da Rabeca
MPB / FOLCLORE
1998
Bitrate: 256 kbps
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Manoel Salustiano Soares - o “Mestre Salu” nasceu no dia 12 de novembro de 1945, no Engenho Oiteiro Alto, Cidade de Aliança, Zona da Mata Norte de Pernambuco. Filho de Dona Maria Tertonila da Conceição e Seu João Salustiano Soares, rabequeiro respeitado na mesma região, Mestre Salu teve uma infância muito sofrida no campo, cortando cana, limpando mato, carreando, cambitando, lá no engenho. Sempre lutava toda semana no campo e no fim-de-semana tinha preocupação de ir para os espetáculos populares como Cavalo Marinho e Mamulengo, Ciranda e Maracatu. Pai de quinze filhos de nove mulheres, Mestre Salu mantém a tradição de repassar para os seus filhos a essência da arte, os ensinamentos recebidos do seu pai. Garboso, relata que recebeu a orientação de nove mestres de diferentes brincadeiras: Ciranda, Cavalo Marinho e Maracatu. Certamente, foi a influência dessas pessoas que fez de Mestre Salustiano um artista diversificado, com conhecimento e criatividade para renovar e inovar as brincadeiras. Mestre Salustiano conseguiu por si só transformar o terreiro de chão batido em palco de grandes espetáculos, e diferentes espetáculos, ora iluminados com a luz do candeeiro, ora iluminados com o clarão de refletores. No interior, na capital, em outros estados e países: Cuba, Estados Unidos, Bolívia, França… Lugares diferentes, com espetáculos diferentes, e com artistas iguais, basicamente da mesma origem, que tanto engolem a fumaça quente dos solos saturados da cana-de-açúcar, como respiram a fictícia fumaça de gelo seco nas grandes capitais. Em agosto de 2008, Pernambuco perde um grande Artista da cultura popular: mestre Salustiano que levou para todo o mundo o som da sua rabeca encantada e comandou o baque solto dos maracatus, e levou junto consigo boa parte da cultura pernambucana. O grande mestre cumpriu seu papel aqui na terra, levando alegria e diversão para todos que tiveram a oportunidade de ver sua performance no palco, e ouvir suas músicas. [Fonte: pousadapeter]
Salustiano Manoel Soares - the "Master Salu" was born on November 12, 1945, in Mill Oiteiro Alto, City of Alliance, the Northern Forest Zone of Pernambuco. Son of Dona Maria da Conceição and Tertonila Your Salustiano John Soares, rabequeiro respected in the same region, Mestre Salu had a very painful childhood in the countryside, cutting cane, bush clearing, hustling, cambitando there at the mill. Always struggled on the field every week and end-of-week concern had to go for popular shows like Seahorse and Mamulengo, CIRANDA and Maracatu. Father of fifteen children of nine women, Master Sallu has a tradition to pass on to their children the essence of art, received the teachings of his father. Dapper, reports that the guidance received from nine different masters play: CIRANDA, Seahorse and Maracatu. Certainly, it was the influence of those people who did Master Salustiano a diverse artist with knowledge and creativity to renovate and innovate the games. Master Salustiano could by itself transform the yard of the ground slammed into a stage for great performances, and different shows, now illuminated with the light of the lamp, now illuminated by the glare of floodlights. Inside, the capital, in other states and countries: Cuba, United States, Bolivia, France ... different places, with different shows, and artists alike, basically the same origin, that both swallow the hot smoke from saturated soils from sugarcane of sugar, as the fictional breathe smoke of dry ice in the big cities. In August 2008, Pernambuco loses a great artist of popular culture: Salustiano master who took over the world the sound of his enchanted fiddle and commanded the thud loose maracatus, and brought along with him much of the culture of Pernambuco. The large master has fulfilled his role here on earth, bringing joy and fun for everyone who had the opportunity to see his performance on stage, and listen to your music. [Source: pousadapeter]
Salustiano Manoel Soares - the "Master Salu" was born on November 12, 1945, in Mill Oiteiro Alto, City of Alliance, the Northern Forest Zone of Pernambuco. Son of Dona Maria da Conceição and Tertonila Your Salustiano John Soares, rabequeiro respected in the same region, Mestre Salu had a very painful childhood in the countryside, cutting cane, bush clearing, hustling, cambitando there at the mill. Always struggled on the field every week and end-of-week concern had to go for popular shows like Seahorse and Mamulengo, CIRANDA and Maracatu. Father of fifteen children of nine women, Master Sallu has a tradition to pass on to their children the essence of art, received the teachings of his father. Dapper, reports that the guidance received from nine different masters play: CIRANDA, Seahorse and Maracatu. Certainly, it was the influence of those people who did Master Salustiano a diverse artist with knowledge and creativity to renovate and innovate the games. Master Salustiano could by itself transform the yard of the ground slammed into a stage for great performances, and different shows, now illuminated with the light of the lamp, now illuminated by the glare of floodlights. Inside, the capital, in other states and countries: Cuba, United States, Bolivia, France ... different places, with different shows, and artists alike, basically the same origin, that both swallow the hot smoke from saturated soils from sugarcane of sugar, as the fictional breathe smoke of dry ice in the big cities. In August 2008, Pernambuco loses a great artist of popular culture: Salustiano master who took over the world the sound of his enchanted fiddle and commanded the thud loose maracatus, and brought along with him much of the culture of Pernambuco. The large master has fulfilled his role here on earth, bringing joy and fun for everyone who had the opportunity to see his performance on stage, and listen to your music. [Source: pousadapeter]
Total Time: 59 min
TRAXAMILLION AND CITY SHAWN - For the City
RAP
2020
Bitrate: 256 kbps
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Total Time: 25 min
Bitrate: 256 kbps
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JOÃO BOSCO - Acústico
MPB
[Popular Brazilian Music]
1992
Bitrate: 256 kbps
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Bitrate: 256 kbps
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Começou a tocar violão aos doze anos, incentivado por uma família cheia de músicos; alguns anos depois, começa a cursar Faculdade de Metalurgia em Ouro Preto. Apesar de não deixar de lado os estudos, dedica-se à carreira musical, influenciado principalmente pelos gêneros jazz, bossa nova e tropicalismo. A primeira gravação saiu no disco de bolso do jornal O Pasquim: Agnus Dei (1972). No ano seguinte, assinou com a gravadora RCA, quando lançou o primeiro disco, que levava apenas seu nome. Em 1967 conheceu Vinicius de Moraes com o qual compôs as seguintes canções: Rosa dos ventos, Samba do Pouso e O mergulhador, dentre outras. Em 1970 conheceu aquele que viria a ser o mais freqüente parceiro, com quem compôs mais de uma centena de canções: Aldir Blanc, O mestre sala dos mares, O bêbado e a equilibrista, Bala com bala, Kid cavaquinho, Caça à raposa, Falso brilhante, O rancho da goiabada, De frente pro crime, Fantasia, Bodas de prata, Latin Lover, O ronco da cuíca, Corsário, dentre muitas outras. Em 1972 conheceu Elis Regina, que gravou uma parceria sua com Blanc: Bala com Bala; a carreira deslanchou quando da interpretação da cantora para o bolero Dois pra lá, dois pra cá. [Fonte: wikipedia]
He began playing guitar at age twelve, encouraged by a family full of musicians; a few years later, she begins to attend Faculty of Metallurgy in Ouro Preto. Although not ignore the studies, dedicated to the music career, mainly influenced by jazz genres, bossa nova and tropicalism. The first recording was in the paper from his pocket disc The Quibbler: Agnus Dei (1972). The following year he signed with RCA Records, when it launched the first album, which only bore his name. In 1967 he met Vinicius de Moraes with whom he composed the following songs: Rose of the winds, the Pouso Samba and Diver, among others. In 1970 he met one who would become the most frequent partner, who composed more than a hundred songs: Anja Blanc, the master room of the seas, the drunk and the tightrope walker, bullet with bullet, Kid cavaquinho, fox hunting, False bright, The Ranch guava, Facing pro crime, Fantasy, silver anniversary, Latin Lover, The roar of the opossum, Corsair, among many others. In 1972 he met Elis Regina, who recorded a partnership with his Blanc: Bullet with Bullet; his career took off when the interpretation of the bolero singer for two up there, two over here. [Source: wikipedia]
Total Time: 41min
FUTURE CARNIVORES - Come Inside
EXPERIMENTAL
2013
Bitrate: 256 kbps
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Total Time: 42 min
DEVOTOS - Hora da Batalha
PUNCK ROCK
2004
Bitrate: 256 kbps
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A banda Devotos foi formada em 1988 por Cannibal (baixo e voz), o Neilton (guitarra) e o Celo Brown (batereia) sob o nome “Devotos do Ódio” que foi tirado do título de um livro de José Louzeiro (1987). O grupo teve e ainda tem sua base no bairro de baixa renda que também tem abundantes problemas sociais e onde muitas pessoas trabalham para melhorar suas condições de vida encontrada nos morros de Recife, chamado Alto José do Pinho. No ano 2000 o grupo mudou seu nome para “Devotos”. Quando a MTV começou a se captada no Recife, o sinal podia ser recebido claramente no Alto José de Pinho, os futuros membros dos Devotos já escutavam punk rock e bandas como The Smiths e The Cure junto com o punk rock de São Paulo. Conheciam os gêneros tradicionais que bandas como Chico Science e Nação Zumbi logo incorporariam aos seus sons, mas estavam interessados em tocar um estilo hardcore, rock. Os membros de Devotos abraçaram a ética do “faça você mesmo” do punk rock. O guitarrista Neilton explicou-me em 2001 como fabricou ele mesmo seu primeiro amplificador e guitarra o que incluiu o braço e do corpo da guitarra, e como tocou por um longo tempo sem que ninguém percebesse que não tinha sido comprada numa loja de música. Entre os obstáculos que a banda enfrentou nos seus primeiros anos se encontravam a polícia, a repressão e a não aprovação dos moradores do seu bairro pela eleição do seu estilo musical. O bairro Alto José do Pinho era o lar de “caboclinhos” e “grupos de maracatu” que eram importantes no carnaval. A imagem mediática das bandas de rock remetia à juventude de classe media. Para voltar ao tema da identidade nacional brasileira que se encontra em canções como “Aquarela do Brasil” de Ari Barroso, há que escutar “Meu País” de Devotos como um exemplo do seu trabalho como banda. É muito menos intensa que muitas outras canções da banda nas quais usam um estilo de alta intensidade hardcore ainda que continuem sendo muito melódicas, a música “Alien” é um bom exemplo disso. Fonte: devotos.com
Devotees The band was formed in 1988 by Cannibal (bass and vocals), the Neilton (guitar) and Celo Brown (batereia) under the name "Devotees of Hate" has been taken from the title of a book by José Louzeiro (1987). The group had and still has its base in the low-income neighborhood that has also abundant social problems and where many people work to improve their living conditions found in the hills of Recife, called Alto José do Pinho. In 2000 the group changed its name to "devotees". When MTV began captured in Recife, the signal could be clearly received in the Alto José de Pinho, the future members of Devotees have listened to punk rock and bands like The Smiths and The Cure along with the punk rock of. Known traditional genres that bands like Chico Science and Zombie Nation logo would incorporate its sounds, but were interested in playing a hardcore style rock. Devotees members embraced the ethic of "do it yourself" punk rock. The Neilton guitarist explained to me in 2001 as manufactured himself his first guitar amplifier and which included the arm and the guitar body, and how touched for a long time without anyone noticing it had not been purchased at a music store. Among the obstacles the band faced in its early years were the police, the prosecution and the rejection of the residents of his neighborhood the election of his musical style. The Alto José do Pinho neighborhood was home to "caboclinhos" and "maracatu groups" that were important in the carnival. The media image of rock bands remitted to the middle-class youth. To return to the theme of Brazilian national identity that is in songs like "Aquarela do Brazil" Ari Barroso, we must listen to "My Country" by devotees as an example of his work as a band. It is much less intense than many other songs from the band in which use a high intensity hardcore style still continuing and very melodic, the song "Alien" is a good example. [Source: devotos.com]
Devotees The band was formed in 1988 by Cannibal (bass and vocals), the Neilton (guitar) and Celo Brown (batereia) under the name "Devotees of Hate" has been taken from the title of a book by José Louzeiro (1987). The group had and still has its base in the low-income neighborhood that has also abundant social problems and where many people work to improve their living conditions found in the hills of Recife, called Alto José do Pinho. In 2000 the group changed its name to "devotees". When MTV began captured in Recife, the signal could be clearly received in the Alto José de Pinho, the future members of Devotees have listened to punk rock and bands like The Smiths and The Cure along with the punk rock of. Known traditional genres that bands like Chico Science and Zombie Nation logo would incorporate its sounds, but were interested in playing a hardcore style rock. Devotees members embraced the ethic of "do it yourself" punk rock. The Neilton guitarist explained to me in 2001 as manufactured himself his first guitar amplifier and which included the arm and the guitar body, and how touched for a long time without anyone noticing it had not been purchased at a music store. Among the obstacles the band faced in its early years were the police, the prosecution and the rejection of the residents of his neighborhood the election of his musical style. The Alto José do Pinho neighborhood was home to "caboclinhos" and "maracatu groups" that were important in the carnival. The media image of rock bands remitted to the middle-class youth. To return to the theme of Brazilian national identity that is in songs like "Aquarela do Brazil" Ari Barroso, we must listen to "My Country" by devotees as an example of his work as a band. It is much less intense than many other songs from the band in which use a high intensity hardcore style still continuing and very melodic, the song "Alien" is a good example. [Source: devotos.com]
Total Time: 28 min
DEVO - Something for Everybody
NEW WAVE
2010
Bitrate: 256 kbps
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Bitrate: 256 kbps
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Devo é um grupo americano de rock formado em 1974. A banda foi fundada por Gerald Casale e Mark Mothersbaugh, na época estudantes da Kent State University, fazendo um sucesso estrondoso nos anos 80 com a explosão do new wave. A canção "Whip It" de 1980 sobre o governo de Jimmy Carter teve seu tema confundido com masturbação e por esse motivo atingiu considerável sucesso nas paradas americanas. A banda mais tarde ganhou parte de sua fama inicial ao ter a música Turnaround regravada pelo Nirvana. Seu estilo foi classificado como punk rock, pós-punk ou art rock, mas são geralmente classificados como new wave ou synth pop. A música e o estilo do grupo tematiza a ficção científica kitsch, com toques de humor surrealista, via instrumentação minimalista e sintética. O som da banda influenciou tanto o new wave da época quanto os grupos de rock alternativo de hoje, além de vídeo clipes memoráveis. A banda chamou atenção por formar um conceito, a de-volução, em que seus integrantes acreditavam que a raça humana havia chegado a seu ápice, e estava "de-evoluindo", voltando a idade das cavernas. O episódio especial de número 100 de Futurama teve a participação da banda, que mostrava seus integrantes como mutantes. [Fonte: wikipedia]
Devo is an American rock band formed in 1974. Band was founded by Gerald Casale and Mark Mothersbaugh, then a student at Kent State University, doing a roaring success in the 80s with the explosion of new wave. The song "Whip It" from 1980 on the administration of Jimmy Carter had his theme confused with masturbation and therefore achieved considerable success in the U.S. charts. The band later gained part of its initial fame to be rewritten Turnaround song by Nirvana. His style has been classified as punk rock, post-punk or rock art, but are generally classified as new wave and synth pop. The music and style of the group studies the kitsch science fiction, with touches of humor surrealist, minimalist route and synthetic instrumentation. The band's sound has influenced both the new wave of the season as the alternative rock groups today, as well as video clips from memorable. The band drew attention for forming a concept, the de-volution, in which its members believed that the human race had reached its apex, and was "de-evolving", turning the age of the caves. The special 100th episode of Futurama had the participation of the band, showing its members as mutants. [Source: wikipedia]
Devo is an American rock band formed in 1974. Band was founded by Gerald Casale and Mark Mothersbaugh, then a student at Kent State University, doing a roaring success in the 80s with the explosion of new wave. The song "Whip It" from 1980 on the administration of Jimmy Carter had his theme confused with masturbation and therefore achieved considerable success in the U.S. charts. The band later gained part of its initial fame to be rewritten Turnaround song by Nirvana. His style has been classified as punk rock, post-punk or rock art, but are generally classified as new wave and synth pop. The music and style of the group studies the kitsch science fiction, with touches of humor surrealist, minimalist route and synthetic instrumentation. The band's sound has influenced both the new wave of the season as the alternative rock groups today, as well as video clips from memorable. The band drew attention for forming a concept, the de-volution, in which its members believed that the human race had reached its apex, and was "de-evolving", turning the age of the caves. The special 100th episode of Futurama had the participation of the band, showing its members as mutants. [Source: wikipedia]
Total Time: 38 min
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