MPB
(Música Popular Brasileira)
1978
Bitrate 256 kbps
[Cd Quality]+
Bitrate 256 kbps
[Cd Quality]+
Baiano da cidadezinha da Cairu de Salinas das Margaridas, aprendeu a tocar violão pelo método prático de Canhoto, ainda na infância, e começou a compor nos anos 30. Por toda a vida usou o primeiro violão que ganhou do pai, aos 9 anos. Antes de decidir-se pela música, foi pescador, lavrador e comerciante. Como violonista, tornou-se conhecido no interior do estado e em 1938 foi para Salvador, onde já desfrutava de alguma fama. Lá, trabalhou no rádio, acompanhando grandes estrelas como Silvio Caldas, Nora Ney e Dircinha Batista quando iam à Bahia. Sua primeira música gravada foi "Iaiá da Bahia", por Araci Costa em 1951. Na década de 60 mudou-se para o Rio de Janeiro. O primeiro dos seis LPs que gravou é de 1963, com músicas cantadas e instrumentais, incluindo solos de violão e acompanhamentos de conjunto regional. Outras composições de sua autoria que se tornaram conhecidas foram "Zum Zum", na voz de Vanja Orico, "Taiti", na interpretação de Rosinha de Valença, e "Tin-don-don" (parceria com João Melo), gravada por Jorge Ben em 1964 com sucesso, e regravada dois anos depois por Sergio Mendes. Codó foi também compositor de choros, como "Bole-bole", "Quadradinho" e "Boladinho". Bastante respeitado no meio artístico, foi homenageado por Baden Powell na música "Um Abraço no Codó". [Fonte: cliquemusic]
The Bahian town of Salinas Cairu of Daisies, learned to play guitar by practical method of Lefty, even in childhood, and began composing in the 30s throughout my life used the first guitar that his father gave him, at age 9. Before deciding if the music was a fisherman, a farmer and merchant. As a guitarist, became known in the state and in 1938 went to Salvador, which already enjoyed some fame. There, he worked in radio, watching big stars like Silvio Caldas, Nora Ney and Dircinha when Batista went to Bahia. His first recorded song was "Missy da Bahia" by Araci Coast in 1951 In the 60s he moved to Rio de Janeiro. The first of the six LPs recorded is 1963, with sung and instrumental music, including guitar solos and accompaniments regional assembly. Other compositions of his own that became known were "Zum Zum", voiced by Vanja Orico, "Tahiti", the interpretation of Rosie of Valenca, and "Tin-don-don" (partnership with John Melo), engraved by Jorge Ben successfully in 1964, and two years later re-recorded by Sergio Mendes. Codo was also a composer of cries such as "Bole-bole", "SQUARE" and "boladinho". Well respected in the art world, was honored by Baden Powell in the song "Hug A in Codo". [Source: ABM]
The Bahian town of Salinas Cairu of Daisies, learned to play guitar by practical method of Lefty, even in childhood, and began composing in the 30s throughout my life used the first guitar that his father gave him, at age 9. Before deciding if the music was a fisherman, a farmer and merchant. As a guitarist, became known in the state and in 1938 went to Salvador, which already enjoyed some fame. There, he worked in radio, watching big stars like Silvio Caldas, Nora Ney and Dircinha when Batista went to Bahia. His first recorded song was "Missy da Bahia" by Araci Coast in 1951 In the 60s he moved to Rio de Janeiro. The first of the six LPs recorded is 1963, with sung and instrumental music, including guitar solos and accompaniments regional assembly. Other compositions of his own that became known were "Zum Zum", voiced by Vanja Orico, "Tahiti", the interpretation of Rosie of Valenca, and "Tin-don-don" (partnership with John Melo), engraved by Jorge Ben successfully in 1964, and two years later re-recorded by Sergio Mendes. Codo was also a composer of cries such as "Bole-bole", "SQUARE" and "boladinho". Well respected in the art world, was honored by Baden Powell in the song "Hug A in Codo". [Source: ABM]
Total Time: 38 min
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